Tuesday, January 31, 2012

Dialogue of the Day

Dante: "I'm stuck in this pit, working for less than slave wages. Working on my day off, the goddamn steel shutters are closed, I deal with every backward-ass fuck on the planet. I smell like shoe polish. My ex-girlfriend is catatonic after fucking a dead guy, and my present girlfriend has sucked thirty-six dicks"

Randal: "....thirty seven"

From "Clerks" (dir. Kevin Smith - 1994)

Sunday, January 29, 2012

Songs for a Sunny Sunday

Eye Know - De La Soul
Sloop John B - The Beach Boys
Black Treacle - Arctic Monkeys
When The Levee Breaks - Led Zeppelin
Ragged Wood - Fleet Foxes
How I Got Over - The Roots
Hey - Red Hot Chilli Peppers
Red House - Jimi Hendrix
Pain Killer - Turin Brakes

Tuesday, January 24, 2012

Making Films (and Ting)

What a lovely month it has been in my little world.

Not any of my films (above)

Firstly, my first film is now completed and up on imdb.com (http://www.imdb.com/title/tt2184325/). It is also currently under consideration at several festivals so watch this space for further, hopefully good, news. As for the film itself, I could not be happier with the outcome, considering what I then knew about film-making (as in, absolutely nothing) and the budget we were working with (absolutely sod-all). With these things in mind, I consider the project a complete success.

Equally groin-stiffening is the progress of my latest film. After sitting through our first real editing session today, I am feeling incomprehensibly excited about it. Words can't seem to quite describe how it feels to see your film come together in a way that you hoped it would. In fact, so far everything has come out better than I imagined. Marvelous.

It's a weird thing actually, the process of making a film. Despite all of your meticulous planning, it is often a stab in the dark, a hope and a prayer that things turn out the way you wanted. I believe I have yet to hear it better described than by the legendary Sidney Lumet:

"Someone once asked me what making a movie was like. I said it was like making a mosaic. Each setup is like a tiny tile (a setup, the basic component of a film's production, consists of one camera position and its associated lighting). You color it, shape it, polish it as best you can. You'll do six or seven hundred of these, maybe a thousand. (There can easily be that many setups in a movie.) Then you literally paste them together and hope it's what you set out to do."

Couldn't agree more there Sidders. Fingers crossed that this one is, and there will plenty more to come.

Peace and love,

Juan.

Monday, January 23, 2012

Quote of the Day

"Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius - and a lot of courage - to move in the opposite direction."

--Albert Einstein

Sunday, January 22, 2012

Ticketmaster: Enemy of the Free World

Ticketmaster. You know them. They're the ones you have to go through to buy any sort of ticket for any sort of live music event in the western world. You've sat there and watched helplessly as your 25 dollar (or equivalent) ticket gains charges, and surcharges, and taxes with each click of your mouse. You've all turned pale as you finally reach the checkout page to find that your backrow seat is now a cool 40 dollars, which, for you and your girlfriend (as it would be most ungentlemanly to let her pay) is 80 fecking dollars. To see a band with the number "1" in their 'albums released' column.

Now, my problem is not that. Well, I mean it is that but I have a much larger problem to be discussed. You see, all of that headache mentioned above only occurs in one's life if you are lucky enough to actually get a ticket. Which is virtually impossible for any big show. For example, Radiohead tickets (@ Santa Barbara Bowl) went on sale Saturday at 10am. As an avid follower (see: fanatic) there I was, sat in front of my laptop, page ready and open, waiting for the clock to strike 10. When it did, I was swiftly kicked off the page. In a confused panic, I scrambled to get back. I did. I selected two tickets under "best available". It began to load. I waited with baited breath. At 10:03am a page appeared telling me that the concert was SOLD OUT.

Now, I'm no scientist, or mathematics expert, or claim to be remotely any good at anything to do with numbers, but as a rational, logical, human being I find it slightly far-fetched to believe that the following scenario occurred:

Step 1) Thousands of Radiohead fans all converged on Ticketmaster.com.

Step 2) The system - being one that is fair and true and represents the very best in western democracy - neatly and tidily put all of these thousands of seat in order of who clickidy wick'd on their lovely little website first and all of the seats were allocated accordingly.

Step 3) The exact amount of seats in Santa Barbara Bowl equated to the number of tickets sold, all were sold to genuine Radiohead lovers and everyone skipped off to work whistling "The Gloaming".

Step 4) All of this happened in three minutes.

No, that's bollocks isn't it. What instead happened was that a limited amount of seats were available to some fans, who are selected by a blind man throwing darts at a wall-chart (or something similar), and the rest go to the web-sites like StubHub - where you too can purchase tickets to see your favourite bands for 5x the original face-value price.

After being rejected at 10:03am, I investigated further. At 10:04am, StubHub suddenly had back row seats going for 600 dollars a pop. Lovely, I'll take ten please. Just let me re-mortgage my house, sell my children to slave labour markets and start cooking meth amphtemine to pay my credit card bill (big up, Breaking Bad - a work of genius). Now, StubHub is owned by who? I hear you ask. That's right, f**king Ticketmaster.

Stop me if I'm wrong here, but isn't that the very definition of monopoly trading? Well no, they say, because there are sites like LiveNation and blah blah blah. Yeah that is true, but where do these other sites direct you when you want to buy a ticket? To f**king Ticketmaster. You see folks, thats how a racket works. All roads lead to one thing and that one thing will shove it's hand in your pockets whether you like it or not.

Thom Yorke - Mentalist

I don't ask for much. I just want to see some music before my eyes and ears. Maybe get some of Thom's dribble on me during a freak out. I don't mind losing out on tickets to other fans. First come, first served. They were there before me, they should get the tickets. At least it would be a fair fight. What I can't accept however is these cyber-school bullies performing what can only be described as legal extortion. The sad thing is that, under the current regime, I know that in my lifetime (unless I become unhealthily rich and/or famous) I will never, if I live to be 1020 years old, sit in the front row of a Radiohead concert. Never. It is simply impossible. Who does get these tickets I will never know. I can only assume that it's people far more important than myself. Instead I have to settle for not even being in the back row of this one.

Ticketmaster, fuck you.

John.

Saturday, January 21, 2012

A Cinematic Masterclass

From Paul Thomas Anderson. Watch and learn.



JB.

Friday, January 20, 2012

My First Film Poster

It's been a very busy week. I will update this blog accordingly as soon as I get a chance. However, in the meantime, check out my first film poster. It makes me all tingly in the groin.
Peace,

JB.

Saturday, January 14, 2012

Tis A Beautiful Day...

...and I have been driving around town, windows down, pumping this song. Marvelous.



JB.

Friday, January 13, 2012

The Mighty Mighty Spurs

Now, while might not mean much to anyone else, as a lifelong Tottenham supporter, this is the highest I have ever seen us in the league table at this point in the season. Therefore I wanted it documented here. Also please now how far behind us the scum (Arsenal) are. Tossers.
Premier League table
Wednesday, 11 January 2012 21:38 UK
PGDPTS
1Man City204048
2Man Utd202945
3Tottenham201845
4Chelsea201437

5Arsenal20836

6Liverpool20634
7Newcastle20433
8Stoke20-929
9Norwich20-525
10Sunderland20424
11Everton20-424
12Swansea20-323
13Aston Villa20-423
14Fulham20-423
15West Brom20-922
16Wolves20-1417
17QPR20-1617

18Bolton20-1816
19Wigan20-2315
20Blackburn20-1414

Yid Army!

JB.

Sunday, January 8, 2012

Things I Love: One Man, Two Guvnors

So, by a fortunate set of circumstances that occurred yesterday, my afternoon was spent in the fourth row of the Adelphi Theatre watching the smash-hit "One Man, Two Guvnors".

Now, I had previously heard nothing but glowing reviews for this play but what I witnessed for two and a half hours was by far the funniest show I've ever seen in the West End. It is a classic British comedy farce with a plot far too convoluted, and frankly mental, to go through here (plus, half of the fun of it is not knowing what to expect). People being hit with objects? Check. Cross dressing? Of course. Sexual innuendos? Plenty. It certainly ticks all the comedy boxes. However why this play was so so great was simply down to one man, James Corden.

As far as I understand, old Jimboy had received a bit of a backlash in my fair lands, after of course becoming a mega-star with the success of "Gavin and Stacey". I myself became part of this backlash, quietly wondering if he was just a bit of a twat; nothing more than the UK's Chris Farley. However, watching him in this play reminded me of just what an absolutely brilliant comedic actor the man is. Also, a key feature of this play is the unexpected audience participation at several turns, which Corden executes brilliantly. At the risk of going all Alan Partridge....my sides almost split at the seams.

So, in conclusion, if you're in London and can get your hands on some tickets (hurry up, it's run ends in February) I cannot recommend this wonderful play highly enough. A healthy reminder of how much fun a trip to the Theatre can be.

Peace,

John.

Thursday, January 5, 2012

Best Films of 2011

Good morning and a very happy and prosperous New Year to you all. I myself am still in rainy, windy old England. So what better way of ringing in the new with a quick celebration of the old. Here are my top 10 films of the past year:

10) "Senna" (dir. Asif Kapadia) - A completely mesmerising documentary about the legendary Formula 1 driver (famously killed during a race). It made me laugh, cry, and marginally shite meself when watching the "Helmet-Cam" sequences. Brilliant.

9) "Rango" (dir. Gore Verbinski) - A kids film, yes. However, few films delighted me more last year. It's a classic western, but told through the eyes of a big-dreaming lizard. Features a razor-sharp script and a completely charming performance from Johnny Depp.

8) "The Girl With The Dragon Tattoo" (dir. David Fincher) - Masterfully directed by the almighty David Fincher, this film is bleak, gritty and absolutely gripping from start to end. Rooney Mara should get an Oscar nod too, for my money.

7) "The Guard" (dir. John Michael McDonagh) - A foul-mouthed, offensive, absolutely hysterical story of a small town policeman in Ireland pulled into a massive drug smuggling plot. Features a performance from Brendan Gleeson that is nothing short of brilliant. Don Cheadle is also excellent as the FBI agent out of water.

6) "Drive" (dir. Nicolas Windig Refn) - Despite having some very odd musical choices, it's fair share of extreme ultra-violence and a pretty thin plot, this film was executed with such perfection that it's hard not to bow down and show respect. It helps of course to have Ryan Gosling in peak form. Also, the opening sequence is one of the best you'll see.

5) "Shame" (dir. Steve McQueen) - Beautifully shot and displaying the best performances I've ever seen Michael Fassbender and Carey Mulligan give. It is a look at the lonely, desolate world of sex-addiction in the modern age. A quiet, dark, unflinching film. Lots of boobies too...always helps.

4) "Take Shelter" (dir. Jeff Nicols) - The criminally under-rated film of last year. It tells the story of a man (played by Michael Shannon) haunted by apocalyptic visions. As the visions get worse and worse, his loved ones become increasingly worried, but is he delving into insanity? Is he a prophet? Who knows? For the budget this was made with, a quite stunning effort.

3) "The Artist" (dir. Michael Hazanavicius) - When I saw this, I had no idea this was a silent film. So when, after the trailers had finished and the screen began to shrink, I was a little confused. I then spent the next 90 minutes with an enormous smile on my face. An absolute delight from start to finish and a massive reminder that words aren't always necessary to get your point across.

2) "Submarine" (dir. Richard Ayoade) - For anyone who read the original version of this list, ignore it. Technically this film came out in the UK in 2010, however it wasn't out in the states until 2011 so I've decided to include this in my list. An absolutely beautiful coming of age tale about a young boy growing up in rural Wales. It is hilarious, gorgeous, heartbreaking and few films have ever made me as nostalgic about my youth. To think this is Ayoade's first film as well. Bravo sir, bravo.

1) "50/50" (dir. Jonanthan Levine) - A comedy about cancer. Dangerous ground for anyone to encounter. However, this film (based on the real-life experience of screenwriter Will Reiser) was simply the funniest, most touching, poignant film I saw all year. The central performance from Joseph Gordon-Levitt is a joy to behold and if there was any justice in the world, this film would be nominated for a bucket-load of academy awards. So go and watch it. Now.

Feel free to disagree my pedigree chums.

Peace and Love

JB.