Cheers,
JB.
Friday, February 28, 2014
Well Played, Seth Rogen...
Having had the pleasure of hearing this man give a speech, and the utter displeasure of having someone very close to me affected by this disease, I urge you all to watch this video, enjoy the hilarity, and maybe think about the message.
Wednesday, February 26, 2014
Sunday, February 23, 2014
Vance Joy
So, I went to a music showcase last night wherein up and coming bands played 4 songs each. One of them was this fella. My tiny mind was blown.
JB.
JB.
Friday, February 21, 2014
Wednesday, February 19, 2014
Quote of the Day
"When I mention God, and Angels and all that seemingly biblical stuff in songs….my wife is an angel to me. And a real one. Because she appeared out of the smoke of a nightclub when I was at my lowest. And I've never looked back since then. To me, she's an angel. But she's real. She's not a heavenly body. I can touch her. And I do, regularly, and it's great"
Noel Gallagher (The Meaning of Life - 2013)
Sunday, February 16, 2014
Lyrics To Live By
"It'll take more than whiskey,
to make this nightmare go away"
From "Blue Valentines" by Tom Waits
to make this nightmare go away"
From "Blue Valentines" by Tom Waits
Saturday, February 15, 2014
Cyber Land
So….let's talk the internet. Now, if the hilarious musical "Avenue Q" is to be believed, then the internet is solely for one thing: porn. I myself have spent many years researching this matter and while I can safely say that I haven't used it solely for porn…you get my point.
However, these days there is another use for the internet, besides making my mother ashamed of me, and that use is a new and strange phenomenon called "online distribution". It is a brave new world and one that I (we) have been exploring vigorously of late. To give you, the reader, some context; what happened is that my cohorts and I made the informed decision to release Starving In Hollywood online on the most miserable of days (speaking only for myself, of course), Valentine's Day. Thus somewhat conceding to the fact that TV execs aren't exactly beating down our door to put our show on telly and make us rich beyond our wildest dreams. Indeed, so low had the bar been lowered that I would've settled for a few likes on Facebook and maybe a 'well done, lad' from my Nan.
I digress.
Then, wouldn't you know it, right at the death our trailer came across some eyes, impartial eyes, eyes that weren't from my friends or family or people on my twitter account. These eyes liked what they saw and wanted more. So we sent over the first episode and the owner of these eyes liked that even more. Long story short, this blessed soul took mercy on us and vowed to put us in touch with "online distribution companies" who would, apparently, be interested in this sort of thing. Obviously it's all to be taken with a pinch of salt at this point but I can't tell you how gratifying it feels to have someone you've never met tell you that you're doing good work.
Anyway, the part about online distribution I don't quite yet understand is this: how does one make money off of it, exactly? TV it seems relatively straight-forward enough - you sign a contract, you get paid. Regardless of viewing figures. If people aren't watching, you get sacked. But you still got paid and at least you're not a complete failure. However, with this inter web malarky the path seems less clear. For example, if you put a video of yourself hilariously dancing naked in front of a white wall so we can only see your shadow (a mate of mine actually did this) and that video "goes viral" - as they say - then you only begin to make money if you get a certain number of hundreds of thousands of views and even then the proceeds are minimal. However, I suppose, that's where these companies come in and help. Unbeknownst to me, there is an actual science to getting things seen online - actual algorithms and such - a modern day, covert-style art to this stuff. Begs the question, is it morally wrong to manipulate the system, also begs the question - do I actually care?
The fact of the matter is that times are a-changin'. The way we consume content has gone from TV, Cinema, Home Movie to phone, laptop, tablet etc etc etc. As Netflix have gloriously proven, it means the rules are changing - hopefully for the better - and upstart little oiks like myself may finally have the voice we've so longed for. Without, necessarily, the typical corporate structure. Maybe I'm getting all romantic about the idea based on a flicker of a prayer, or maybe we just might be on to something. Who knows, my friends. Who knows?
I've sort of lost my point, I think - that's what chronic insomnia and alcohol will do to you - which was that good news may be on the way. If we do sign with one of these companies, there is potential to make money off what we did and, more excitingly, development money to do more. This news is better than a kick in the gonads, let me tell you. I've tried both. So, our release date is postponed indefinitely while we await further meetings, and potential contract negotiations. All of this, of course, could still amount to nothing. As I say though, at this stage in the game, any help will do.
Also, I'm almost finished with my new short film. Here's a teaser for it. If one more person tells me it's like the Coen Brothers I'm going to go mad. Only joking, of course, that's about the highest praise I've ever had. From anyone. Ever. Enjoy.
However, these days there is another use for the internet, besides making my mother ashamed of me, and that use is a new and strange phenomenon called "online distribution". It is a brave new world and one that I (we) have been exploring vigorously of late. To give you, the reader, some context; what happened is that my cohorts and I made the informed decision to release Starving In Hollywood online on the most miserable of days (speaking only for myself, of course), Valentine's Day. Thus somewhat conceding to the fact that TV execs aren't exactly beating down our door to put our show on telly and make us rich beyond our wildest dreams. Indeed, so low had the bar been lowered that I would've settled for a few likes on Facebook and maybe a 'well done, lad' from my Nan.
I digress.
Then, wouldn't you know it, right at the death our trailer came across some eyes, impartial eyes, eyes that weren't from my friends or family or people on my twitter account. These eyes liked what they saw and wanted more. So we sent over the first episode and the owner of these eyes liked that even more. Long story short, this blessed soul took mercy on us and vowed to put us in touch with "online distribution companies" who would, apparently, be interested in this sort of thing. Obviously it's all to be taken with a pinch of salt at this point but I can't tell you how gratifying it feels to have someone you've never met tell you that you're doing good work.
Anyway, the part about online distribution I don't quite yet understand is this: how does one make money off of it, exactly? TV it seems relatively straight-forward enough - you sign a contract, you get paid. Regardless of viewing figures. If people aren't watching, you get sacked. But you still got paid and at least you're not a complete failure. However, with this inter web malarky the path seems less clear. For example, if you put a video of yourself hilariously dancing naked in front of a white wall so we can only see your shadow (a mate of mine actually did this) and that video "goes viral" - as they say - then you only begin to make money if you get a certain number of hundreds of thousands of views and even then the proceeds are minimal. However, I suppose, that's where these companies come in and help. Unbeknownst to me, there is an actual science to getting things seen online - actual algorithms and such - a modern day, covert-style art to this stuff. Begs the question, is it morally wrong to manipulate the system, also begs the question - do I actually care?
The fact of the matter is that times are a-changin'. The way we consume content has gone from TV, Cinema, Home Movie to phone, laptop, tablet etc etc etc. As Netflix have gloriously proven, it means the rules are changing - hopefully for the better - and upstart little oiks like myself may finally have the voice we've so longed for. Without, necessarily, the typical corporate structure. Maybe I'm getting all romantic about the idea based on a flicker of a prayer, or maybe we just might be on to something. Who knows, my friends. Who knows?
I've sort of lost my point, I think - that's what chronic insomnia and alcohol will do to you - which was that good news may be on the way. If we do sign with one of these companies, there is potential to make money off what we did and, more excitingly, development money to do more. This news is better than a kick in the gonads, let me tell you. I've tried both. So, our release date is postponed indefinitely while we await further meetings, and potential contract negotiations. All of this, of course, could still amount to nothing. As I say though, at this stage in the game, any help will do.
Also, I'm almost finished with my new short film. Here's a teaser for it. If one more person tells me it's like the Coen Brothers I'm going to go mad. Only joking, of course, that's about the highest praise I've ever had. From anyone. Ever. Enjoy.
Peace and love.
JB
Monday, February 3, 2014
Fiery Hawk
This is almost exactly like just about every commercial audition I've ever been in for:
JB.
JB.
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