1) Cavalier - James Vincent McMorrow
2) Ten Cent Pistol - The Black Keys
3) Wrap Your Troubles in Dreams - The Velvet Underground
4) Raw - Big Daddy Kane
5) #88 - Lo-Fang
6) Standing Next To Me - Last Shadow Puppets
7) Use Me - Bill Withers
8) What Is This Thing Called Love? - Leo Reisman
9) Staircase - Radiohead
10) Pour Out A Little Liquor - 2pac
Thursday, January 30, 2014
Monday, January 27, 2014
Starving In Hollywood - Full Trailer
Well folks, this internet promotion thing makes about as much sense to me as quantum physics but here is the full trailer for our show. Hopefully it'll cross the right eyes as soon as humanly possible…
Starving in Hollywood - Trailer - watch more funny videos
Sunday, January 26, 2014
Saturday, January 25, 2014
Thursday, January 23, 2014
Tuesday, January 21, 2014
Dialogue of the Day
From "Husbands and Wives" (Woody Allen, 1992)
Monday, January 20, 2014
Sunday, January 19, 2014
New Stuff
So, what on earth have I been up to? I hear you ask.
Well, the journey with "Starving In Hollywood" continues. Negotiating the murky waters of the industry has been an interesting and extremely frustrating experience. In this day and age, methods of distribution are apparently changing by the second. Depending on who you talk to, TV - as we know it - is a thing of the past, and the future lies with the internet. Increasingly, us humans are watching content on laptops, on netflix, on phones, on iPads etc etc. so online streaming is bigger than ever. All of which should play precisely into our hands, right? Surely we can just put our show on youtube and reap the spoils after millions of people tune in and enjoy? Well, apparently not. As the things that do well on youtube are things like "cat jumps over gate" (which is, admittedly, fecking hilarious). There seems to be a solid marketing path for show concepts, pilots or pitches, however finished content - such as ours - seems to be all dressed up with nowhere to go. Which is annoying, to say the least. My logic would dictate that having something finished is better than having an idea not yet begun, but then again, what do I know?
Therefore the best option remains, at this moment in time, trying to negotiate the Iron Wall of the Managers/Agents/Production Companies and hoping that somehow, some way, someone may take a passing interest enough to go "I like it, here's some money". Stay tuned, friends.
To cheer myself up, I embarked on something I said I'd never do, which is make another short film. However, when the opportunity came around, the people involved on the production side and what they would bring to the table for little to no cost made me instantly change my mind. The result was the filming of a script that I'd had written for a few years now called "Head-Side Up". Here's a poster for it…
The shoot itself was the best one I have ever had, and certainly, by far, my best experience as a director. For the first time in a long time, I felt at ease, in total command of the form, and enjoying every second of it. I think a large part of this feeling comes purely from experience - which dictates how long you should schedule, which locations to use, what lighting schemes you like, how to handle set-backs (an absolutely inevitability) and the best way to work with actors, which I basically find is giving them a nice, relaxed, environment to let them do their work. A large part also comes from having the right crew around you which, for the first time ever, I did. That is why, folks, it pays to get out and work because, by doing so, you accumulate the good people and sift out the…not so good ones. At the risk of sounding like a capitalist pig, I can't tell you how much easier my job is when you know everyone around you is doing theirs. Marvelous stuff and certainly pretty integral to the film-making process, which is hard enough as it is. This project also marked the first time that I directed without also being an actor in the film, which again made life a great, great deal easier and was equally satisfying. Fun times all round, really.
Also, I've been hired to edit multiple projects over the past few months. All of which have gone absolutely swimmingly. In fact, editing continues to be endless source of fascination for me. It really is remarkable what you can do. You can turn a good performance bad and a bad one good in a matter of frames. So, any actors (female mainly) out there remember to give your editor (me) a nice, healthy blow job at the start of every project and things will turn out just fine. In fact, such is the importance of editing, you can actually turn a good film bad, or indeed make a bad one good - well, reasonable maybe - so the same rule applies to all you directors (female) out there also. I even edited an editing reel. And here it is…
Other than that, I've just been keeping my head down, my chin up, and my lyrics on point. If I think of anything else interesting I've done, I'll let you know. Don't hold your breath.
Much love to everyone for your continued support and interest in this here writing space.
Cheers,
John.
Well, the journey with "Starving In Hollywood" continues. Negotiating the murky waters of the industry has been an interesting and extremely frustrating experience. In this day and age, methods of distribution are apparently changing by the second. Depending on who you talk to, TV - as we know it - is a thing of the past, and the future lies with the internet. Increasingly, us humans are watching content on laptops, on netflix, on phones, on iPads etc etc. so online streaming is bigger than ever. All of which should play precisely into our hands, right? Surely we can just put our show on youtube and reap the spoils after millions of people tune in and enjoy? Well, apparently not. As the things that do well on youtube are things like "cat jumps over gate" (which is, admittedly, fecking hilarious). There seems to be a solid marketing path for show concepts, pilots or pitches, however finished content - such as ours - seems to be all dressed up with nowhere to go. Which is annoying, to say the least. My logic would dictate that having something finished is better than having an idea not yet begun, but then again, what do I know?
Therefore the best option remains, at this moment in time, trying to negotiate the Iron Wall of the Managers/Agents/Production Companies and hoping that somehow, some way, someone may take a passing interest enough to go "I like it, here's some money". Stay tuned, friends.
To cheer myself up, I embarked on something I said I'd never do, which is make another short film. However, when the opportunity came around, the people involved on the production side and what they would bring to the table for little to no cost made me instantly change my mind. The result was the filming of a script that I'd had written for a few years now called "Head-Side Up". Here's a poster for it…
The shoot itself was the best one I have ever had, and certainly, by far, my best experience as a director. For the first time in a long time, I felt at ease, in total command of the form, and enjoying every second of it. I think a large part of this feeling comes purely from experience - which dictates how long you should schedule, which locations to use, what lighting schemes you like, how to handle set-backs (an absolutely inevitability) and the best way to work with actors, which I basically find is giving them a nice, relaxed, environment to let them do their work. A large part also comes from having the right crew around you which, for the first time ever, I did. That is why, folks, it pays to get out and work because, by doing so, you accumulate the good people and sift out the…not so good ones. At the risk of sounding like a capitalist pig, I can't tell you how much easier my job is when you know everyone around you is doing theirs. Marvelous stuff and certainly pretty integral to the film-making process, which is hard enough as it is. This project also marked the first time that I directed without also being an actor in the film, which again made life a great, great deal easier and was equally satisfying. Fun times all round, really.
Also, I've been hired to edit multiple projects over the past few months. All of which have gone absolutely swimmingly. In fact, editing continues to be endless source of fascination for me. It really is remarkable what you can do. You can turn a good performance bad and a bad one good in a matter of frames. So, any actors (female mainly) out there remember to give your editor (me) a nice, healthy blow job at the start of every project and things will turn out just fine. In fact, such is the importance of editing, you can actually turn a good film bad, or indeed make a bad one good - well, reasonable maybe - so the same rule applies to all you directors (female) out there also. I even edited an editing reel. And here it is…
Other than that, I've just been keeping my head down, my chin up, and my lyrics on point. If I think of anything else interesting I've done, I'll let you know. Don't hold your breath.
Much love to everyone for your continued support and interest in this here writing space.
Cheers,
John.
Tuesday, January 14, 2014
Top 10 Films of 2013
Hello and Happy New Year to you all. My sincere apologies for being away for so long. Lots of menial stuff to be written in this here 2014 but let's start with the most hotly anticipated 'best of' list on planet earth:
10) Fruitvale Station - Sundance darling and true story of the last day of Oscar Grant, who was killed by the Oakland transport police. From the opening shot, which is real footage of the incident itself, the lump in your throat starts to form and never lets up. At the end, I was positively in tatters. Beautifully directed and featuring an outstanding lead performance from Michael B. Jordan.
9) Mud - This story takes place in the deep backwoods of the Mississippi river, where two young boys befriend a love-sick hobo. Sounds ridiculous. It's not. It's actually a pretty wonderful coming-of-age tale by Jeff Nichols (who is fast becoming one of the better directors out there) and a great cast, including Matthew McConaughey doing almost his best work (see #5)
8) Only God Forgives - As I mentioned previously on this blog, I loved this film. Many didn't. Many find it to be offensively bad. It is a completely perplexing, ultraviolent, enigma wrapped in a mystery of a film, and certainly not an easy watch, that is for certain. However, I liked it. A lot. That's pretty much I can say.
7) Before Midnight - The third of Richard Linklater's "Before..." trilogy which follows Ethan Hawke and Julie Delpy's romantic journey together. The first film we watched them meet, the second they rekindled, the third (this one) they are together, married, parents of two children and struggling to hold it all together. This film is about people talking, and talking, and talking some more. Yet when the dialogue and acting is this good, I found myself totally engrossed the entire time. It is literally like being a fly on the wall into someone else's relationship. You want to watch through your eyes at times, but overall you'll be glad you did. Beautiful film.
6) Prisoners - To this day I am completely baffled by the lack of award-season recognition for this film. It may be down to the subject matter at hand, which we can safely call "dark". There is not one facet of this film that's not excellent. The cinematography and performances of Gyllenhaal, Jackman and Dano being most noteworthy. First-class stuff.
5) Dallas Buyers Club - I went into this film thinking it was going to be an "oh, look Matthew McConaughey's got AIDS, watch him lose weight and affect all of our lives with his heaviness. However, I could not have been more wrong. An outstandingly directed, life-affirming bit of cinema done in the least cheesy way you could imagine and McConaughey's performance is nothing short of iconic. Jared Leto is also excellent...but then aren't we all when wearing a dress.
4) Nebraska - Black and White ultra-slow burner about a borderline senile man trying to claim a fake lottery win? Surely that can't be good, can it? Turns out it can, with Alexander Payne proving once again that he is the absolute master of making films about middle-aged men that somehow get right under your skin. Well played all.
3) Behind The Candleabra - This film does something which I personally think is a very hard thing to pull off (no pun intended) it paints a very dark tale in a bright and shiny package. Obviously it's hard to not be bright and shiny when telling the story of Liberace (played by Michael Douglas who has rarely been better), but make no mistake friends, this is a dark, dark, tale about the trappings of fame and fortune. Matt Damon brilliant as always and will be overlooked again. Oh, by the way, this film is extremely gay. Makes The Birdcage look like Fight Club.
2) Her - Joaquin Phoenix lives in the future and falls in love with a computer, which sounds ridiculous but this is one of the most original, moving and funny films I've seen in recent memory. Similar to "Lars and The Real Girl" in the sense that the sheer preposterousness of the plot goes immediately out of the window due to the quality of the film-making. I aspire to make something this good one day, which is about the highest praise I can give it. In fact, any other year I'm certain this film would be #1 on my list. This year however, all bucked under the weight of...
1) 12 Years A Slave - It's hard to say I enjoyed this film, such is the nature of the subject matter and the way it's portrayed, however it's harder not to bow down and respect a truly magnificent piece of work such as this. 12 Years... tells the true (incredibly) story of Solomon Burke, a free black man tricked and sold back into slavery, and it is every bit as harrowing, stomach-churning and awful as you'd expect. Obviously I didn't cry because I'm a bloody bloke and that's not what we do. However, my eyes happened to get very sweaty multiple times during this film, resulting in what looked like tears pretty much continuously running down my face. If Steve McQueen and Chiwetel Ejiofor don't win every award under the sun, then there really is something wrong with the world. An absolute masterpiece in every way. See it. At once.
There you have it. The world can breathe again.
Let's see if I can keep up this blogging lark for 2014.
Onwards.
John.
10) Fruitvale Station - Sundance darling and true story of the last day of Oscar Grant, who was killed by the Oakland transport police. From the opening shot, which is real footage of the incident itself, the lump in your throat starts to form and never lets up. At the end, I was positively in tatters. Beautifully directed and featuring an outstanding lead performance from Michael B. Jordan.
9) Mud - This story takes place in the deep backwoods of the Mississippi river, where two young boys befriend a love-sick hobo. Sounds ridiculous. It's not. It's actually a pretty wonderful coming-of-age tale by Jeff Nichols (who is fast becoming one of the better directors out there) and a great cast, including Matthew McConaughey doing almost his best work (see #5)
8) Only God Forgives - As I mentioned previously on this blog, I loved this film. Many didn't. Many find it to be offensively bad. It is a completely perplexing, ultraviolent, enigma wrapped in a mystery of a film, and certainly not an easy watch, that is for certain. However, I liked it. A lot. That's pretty much I can say.
7) Before Midnight - The third of Richard Linklater's "Before..." trilogy which follows Ethan Hawke and Julie Delpy's romantic journey together. The first film we watched them meet, the second they rekindled, the third (this one) they are together, married, parents of two children and struggling to hold it all together. This film is about people talking, and talking, and talking some more. Yet when the dialogue and acting is this good, I found myself totally engrossed the entire time. It is literally like being a fly on the wall into someone else's relationship. You want to watch through your eyes at times, but overall you'll be glad you did. Beautiful film.
6) Prisoners - To this day I am completely baffled by the lack of award-season recognition for this film. It may be down to the subject matter at hand, which we can safely call "dark". There is not one facet of this film that's not excellent. The cinematography and performances of Gyllenhaal, Jackman and Dano being most noteworthy. First-class stuff.
5) Dallas Buyers Club - I went into this film thinking it was going to be an "oh, look Matthew McConaughey's got AIDS, watch him lose weight and affect all of our lives with his heaviness. However, I could not have been more wrong. An outstandingly directed, life-affirming bit of cinema done in the least cheesy way you could imagine and McConaughey's performance is nothing short of iconic. Jared Leto is also excellent...but then aren't we all when wearing a dress.
4) Nebraska - Black and White ultra-slow burner about a borderline senile man trying to claim a fake lottery win? Surely that can't be good, can it? Turns out it can, with Alexander Payne proving once again that he is the absolute master of making films about middle-aged men that somehow get right under your skin. Well played all.
3) Behind The Candleabra - This film does something which I personally think is a very hard thing to pull off (no pun intended) it paints a very dark tale in a bright and shiny package. Obviously it's hard to not be bright and shiny when telling the story of Liberace (played by Michael Douglas who has rarely been better), but make no mistake friends, this is a dark, dark, tale about the trappings of fame and fortune. Matt Damon brilliant as always and will be overlooked again. Oh, by the way, this film is extremely gay. Makes The Birdcage look like Fight Club.
2) Her - Joaquin Phoenix lives in the future and falls in love with a computer, which sounds ridiculous but this is one of the most original, moving and funny films I've seen in recent memory. Similar to "Lars and The Real Girl" in the sense that the sheer preposterousness of the plot goes immediately out of the window due to the quality of the film-making. I aspire to make something this good one day, which is about the highest praise I can give it. In fact, any other year I'm certain this film would be #1 on my list. This year however, all bucked under the weight of...
1) 12 Years A Slave - It's hard to say I enjoyed this film, such is the nature of the subject matter and the way it's portrayed, however it's harder not to bow down and respect a truly magnificent piece of work such as this. 12 Years... tells the true (incredibly) story of Solomon Burke, a free black man tricked and sold back into slavery, and it is every bit as harrowing, stomach-churning and awful as you'd expect. Obviously I didn't cry because I'm a bloody bloke and that's not what we do. However, my eyes happened to get very sweaty multiple times during this film, resulting in what looked like tears pretty much continuously running down my face. If Steve McQueen and Chiwetel Ejiofor don't win every award under the sun, then there really is something wrong with the world. An absolute masterpiece in every way. See it. At once.
There you have it. The world can breathe again.
Let's see if I can keep up this blogging lark for 2014.
Onwards.
John.
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